перино дель вага (1501 - 1547)
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Perino del Vaga (nickname of Piero Bonaccorsi) was an Italian painter and draughtsman of the Late Renaissance/Mannerism.
Del Vaga's style was renowned for his vitality and elegance. His paintings are considered important in the mediation between the Roman Raphaelesque tradition and the first Florentine Mannerism. He combined the manners of Raphael and Andrea del Sarto. Many of his works were engraved, even in his own lifetime. Daniele da Volterra, Girolamo Siciolante da Sermoneta, Luzio Romano and Marcello Venusti were among his principal assistants.
Giorgio Ghisi was an Italian engraver from Mantova who also worked in Antwerp and France. He made both engravings and damascened metalwork, although only two surviving examples of the latter are known.
Perino del Vaga (nickname of Piero Bonaccorsi) was an Italian painter and draughtsman of the Late Renaissance/Mannerism.
Del Vaga's style was renowned for his vitality and elegance. His paintings are considered important in the mediation between the Roman Raphaelesque tradition and the first Florentine Mannerism. He combined the manners of Raphael and Andrea del Sarto. Many of his works were engraved, even in his own lifetime. Daniele da Volterra, Girolamo Siciolante da Sermoneta, Luzio Romano and Marcello Venusti were among his principal assistants.
Perino del Vaga (nickname of Piero Bonaccorsi) was an Italian painter and draughtsman of the Late Renaissance/Mannerism.
Del Vaga's style was renowned for his vitality and elegance. His paintings are considered important in the mediation between the Roman Raphaelesque tradition and the first Florentine Mannerism. He combined the manners of Raphael and Andrea del Sarto. Many of his works were engraved, even in his own lifetime. Daniele da Volterra, Girolamo Siciolante da Sermoneta, Luzio Romano and Marcello Venusti were among his principal assistants.
Perino del Vaga (nickname of Piero Bonaccorsi) was an Italian painter and draughtsman of the Late Renaissance/Mannerism.
Del Vaga's style was renowned for his vitality and elegance. His paintings are considered important in the mediation between the Roman Raphaelesque tradition and the first Florentine Mannerism. He combined the manners of Raphael and Andrea del Sarto. Many of his works were engraved, even in his own lifetime. Daniele da Volterra, Girolamo Siciolante da Sermoneta, Luzio Romano and Marcello Venusti were among his principal assistants.
